The fundamental mantra for making an Indian television serial is that it must certanly be never ending. It's to take till scrapped by the channel producers.
Centered on observations through the years these guidelines have already been listed since many essential.
The Storyline: As we've mentioned previously the must mantra above the storyline should ideally have maximum elasticity. Teri Meri Dooriyan Means the storyline has to be structured in this way that it can carry on endlessly taking in new angles or triangles or developments or shock treatment or altruistic twists or directorial wish and that it shouldn't get caught with a dead end. You only cannot afford to aim at a most logical end, because you have to aim at earning the utmost revenues possible-both for you personally and the TV channel. If revenues are found to be dipping the channel producers will automatically and abruptly end it. This does not imply that the storyline ends there.
The Characters: Following as a corollary from the aforementioned the characters of one's serial should really be immense in numbers and stupendous in characterization. Mostly huge joint families are preferred with distant relatives thrown in as and when necessary. Please do not set any limits on the varied couple you can cause which range from the granddad-grandma anyone to the truly amazing grand son or daughter vs. great grand in-law couples, if possible. You must also provide an abundant reserve of dormant characters just to create them alive and kicking as per the twist-wish necessity. Katha Ankahee And, also for the dreadful eventuality of the serial inevitably heading for a most logical end you are able to just withdraw from the reserve and manhandle it to the never ending track again. Say no to the frowns and scowls of the channel producers. Always.
The Location: You have no choice here thanks to the aforementioned conditions. You must always have a huge posh bungalow with a gigantic hall and inner staircases resulting in the galleries and rooms above. This requirement is irrespective of whether your serial is urban or rural based and whether the protagonist is a software billionaire or a right down to earth cultivator. You must understand, you need the space to move your abundant level of characters around and showcase their emotions. You will need the demonic hall, because during a dramatic moment you have to make all your characters there and carry on taking their reaction close ups endlessly with the cameras doing go-rounds or vertical assaults.
Before we move on to other crucial guidelines let's take a break. Yeh Rishta Kya Kehlata Hai serial We do this in sympathetic acknowledgement of the nut breaking significance of breaks for a serial.
Chinmay Chakravarty is really a professional specialized in the creative field with over 2 decades of experience in journalistic writing, media co-ordination, film script writing, film dubbing, film & video making, management of international film festivals and editing of books & journals. Experienced in providing professional services in these related fields. Presently employed in Mumbai Doordarshan as a News Editor.
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